GENERAL INFORMATION
All auditions are open to the public.  Scroll for show specific information.
Auditions start promptly at 7:00 pm, unless otherwise posted.  Please allow enough time upon arrival to register and be seated in auditorium. Most Auditions are held on the Main Stage at 331 Main Street unless notified otherwise. Registration opens at 6:30 in the lobby area. Video auditions are not accepted.

For Musicals
*Everyone must bring a prepared song showing their vocal range.
16 bars or no more than 2 minutes.
*You must have accompaniment tracks to your song. 
*Everyone will be shown choreography to perform with the group. 
(sandals or any type of open-toed footwear are not permitted on stage)
*If auditioning for a certain role, you may be asked to do additional singing,
readings and/or dance.
*You will be given a script to do a cold reading with others auditioning.  
*Some vocal auditions may be held privately with the casting committee.

Book Plays
*Director will have cold readings from the script.
*May be some improvisation involved depending on show and director.


Age requirements for adult productions are 17 and up unless noted for a specific role that requires a younger age or have a direct request from the Director.
ALL AUDITIONEES ARE CONSIDERED.

2026 SEASON AUDITION SCHEDULE

30

March

2026

MAIN STAGE

Love, Loss & What I Wore
7:00PM

Directed by

Emily Martel

17
18

May

2026

MAIN STAGE

Mean Girls
Sunday/Monday
7:00PM

Directed by

Brock Santa

12
13

July

2026

MAIN STAGE

La Cage Aux Folles

Directed by

Tim McGhee

30
31

August

2026

MAIN STAGE

Wickedly Broadway
Halloween Revue

Directed by

Tim McGhee

1
2

November

2026

Holiday on Main

Christmas Revue

Directed by

Tim McGhee

NEXT UP:  Love, Loss and What I Wore
OPEN AUDITIONS
March 30 at 7PM
Please arrive early to allow enough time to register and be seated by specified time. 
CHARACTER BREAKDOWN  (5 WOMEN)
Women of all ages needed and will play multiple roles.  Roles are not assigned by the script, and will be determined by casting.

GINGY: Gingy serves as the through-line of the play. Her monologues take us all the way back to her childhood, through her teen years, marriage, and finally, being a grandmother. She is artistic and creative. She got her name because her hair used to be red. The character herself is most likely in her 80’s, but this is not explicitly stated. This actress must have very strong memorization skills as Gingy’s monologues are some of the longest in the show. 

Some of the characters include: Rosie - a woman who lost her mother at a young age. Holly - Comes from a family with money, and remembers a particular dress her mother gave her. Stephanie - describes two very different prom dresses and prom nights, and her search for her true self. • • Nancy - a Chicago born latina, who was in love with her gang leader. Merrill - Loves wearing boots. (This character discusses, briefly, being sexually assaulted). Pam - A woman who knows what she’s looking for. Lynne - a State Senator with a colorful (and sexually provocative) past. Liz and her two sisters - who discuss which is stronger: romantic love or familial love. Annie - Who deals with an embarrassing situation while wearing a paper dress. Mary and Eve - two very different women, who each discuss their very different marriages. Heather - Who debates the merits of comfort and fashion, beauty and intelligence. Nora - A woman who hates purses Lisa and Amanda - Two brides, trying to find the perfect dress — to marry each other. Geralyn - Survived breast cancer at age 27.

Director: Emily Martel